The installation Multi‑Unitas offers a visual interpretation of the phenomenon of the multiplicity of the self, turning to the psychosynthetic concept of subpersonalities and their role in forming the psychic structure.
Its theoretical foundation is the concept of subpersonalities developed within psychosynthesis — a psychotherapeutic approach founded by the Italian psychiatrist Roberto Assagioli. From this perspective, the personality is not a monolithic structure but is composed of multiple autonomous psychic components that arise in response to external and internal factors. These subpersonalities perform adaptive functions, yet their heterogeneous motivations and needs may come into conflict, generating intrapersonal tensions.
The installation visualises this process, inviting the viewer to reflect on the inner polyphony of the subject. Interaction with the object — extracting sounds from the bells — becomes a metaphor for the integration of fragmented elements of the psyche, where the harmonisation of individual experience is expressed through musical consonance. In this way, Multi‑Unitas not only brings forward questions of psychic integration and self‑reflection, but also creates a space in which the viewer becomes an active participant in the symbolic process of achieving inner balance.